Invocation

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There are many things in my life I feel I can admit to no one, but one of those I tend to hide more deeply than most is my horrible tendency to wish. I wish for so many things, even as I wish for them knowing I will never have them. Maybe writing about it now will help me learn to squelch it beneath my heel and walk away from it, give up on it, leave it behind me. Sunday nights always seem to bring out the melancholy in me, so now is as good a time as any.

This is something that tends to start when you are young, and reading stories that unabashedly encourage it. I always harbored a deep skepticism of the fruition of wishes in such stories, even when I was young; I might have enjoyed reading them, but I did not believe in them. Wishes only came true when magic was involved, and magic wasn’t real. This only would really have been apparent to anyone who might have read the silly stories I wrote myself, as a young girl, because of the manner in which I was quietly visible through them. Like most children, I wrote obvious avatars of myself, though always vastly improved ones: I wrote about prettier, stronger, more feminine, braver, more happily-destined girls. They would often have my long blonde hair, they would wear my favorite colors, they would have pets with the same names as mine, but they would have lovely faces unlike mine, grace where I had none, resourcefulness and spontaneity in place of my stillness, my silence. They would run away from home to become someone I never would: someone you would want to read a story about.

I was the kind of little girl who wrote romantic endings to those other girls’ stories, for which you could, still, always, blame the wishing. I wrote them into adventures I would never have, love stories I knew I would never live. I wrote about brave, sweet boys falling in love with them, because I knew there would be no love story in the world outside pure fiction to ever include the real me. (In my first year of high school, a favorite art project was re-illustrating the original version of Snow White, which is, unsurprisingly, much more brutal than the Disney version. Three attempted murders, rather than just the one, and the Evil Queen wants rather bloody certainty that the prettier girl is dead.) In this world, boys and men would see other girls and women and hold their image in their mind as something to be remembered or admired; they would ask for their time and company, crave their attention, give them flowers, show them they were worth noticing. All my life I have stood separate from experiences like those, until I came to know how invisible I was. I knew even when I was young that I would grow up and grow old alone, with my naturally down-turned mouth and frightening eyes. I resented that I was brought up to hope for better or more, that I even wanted companionship or affection from others, that I couldn’t keep it in stories alone and safely away from me, that I couldn’t keep to my very separate self and not be left wanting, when I knew I would never get any of it. Some days I could slap myself across the face for all of it. So much fruitless, hopeless energy, all gone to waste.

Hope is a dangerous thing in a lot of ways. In its best form of power, it can break people through dark and unforgiving circumstances, giving them strength. In its worst, it can just hollow you out inside, with nothing to take its place. Wishing is a word that makes it sound more whimsical, and far less treacherous, than it is. Wishing can hurt you, wishing can destroy you; it can wrap its deceptive arms around you and turn you into the evil witch who hides in the dungeon, the cave. (Cut her heart out! Put it in a box! Maybe then she will finally be as empty as me.) She gets the best songs, but in the end she always dies. Wishing belongs in fairy tales, even the grim ones, when dropping a penny into a well and pouring a song into it can actually produce something in return. In real life, only shadows and echoes bounce back; everything else is just swallowed up in the dark.