Acceptance

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Meg Ryan as Kathleen Kelly in Nora Ephon’s delightful 1998 film, You’ve Got Mail.

People are always telling you that change is a good thing. But all they’re saying is that something you didn’t want to happen at all… has happened.

I find my mind revisiting this quote more often than ever recently. As with many things that the late, great Nora wrote (particularly under the guise of her charming, timidly brave little bookseller character struggling to make sense of her “small life,” Kathleen Kelly), it resonates with me deeply on a personal level, while simultaneously serving as a reminder for something I’d do well to be more conscious of.

There’s been a lot of change in my life of late, and not all of it of the kind I have liked much at all, but it is all equally inescapable, because that is simply how change works. One of my greatest projects this year, in terms of scope and difficulty, has been practicing something more akin to what is often called “radical acceptance,” because really the only surefire way to tackle the heart of anxiety is to surrender as much of the illusion of control as possible. In reality, all I can control in my life — and even then, it’s a pretty tenuous concept of control — is my own reactions to whatever I encounter while living it, both mentally and emotionally. It’s a daily struggle, as is everything else when laboring under anxiety and various other fun little neuroses, but it’s the best anyone can do, including myself. Part of being gentler with myself on the whole includes accepting these things, rather than pretending I’m supposed to, for some inexplicable reason, be stronger or tougher or more capable than anyone else. As my favorite musician once sang, “I will do what I can do.”

Besides, as another great writer, Junot Díaz, once wrote, “I guess it’s true what they say: if you wait long enough everything changes.” When I’m being overly critical of myself, I often like to paint hope as foolish, but the truth is, waiting on changes of a more positive type, perhaps even for things I still dare hope might happen (however unlikely they may be at the moment) — so long as it’s not the only thing I’m doing — is far from the most ridiculous way of spending some of my mental energy. Better that, than concentrating on talking myself out of hope. That makes it far too easy for other negative thoughts to creep in, especially those about myself, and in learning to fend those off better, too, I’m just less inclined to entertain them.

I have a whole little list of reminders saved on my Keep (notes) app on my phone, and I’ve found that taking a moment to re-read it every day has been a rather helpful habit to get into — along with others I’ve been stricter about lately (exercising, standing up straighter, being more consistent about my skin care, watching my breathing patterns, meditating before bed, being more mindful of my anxious thoughts whenever they might start to rear their heads, etc.). They are fairly short, though the full list is about 30 items long. Then again, it does seem to be the simplest things that, in the end, are making change a bit easier to deal with. As ever, one day at a time.

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The afternoon sun slants through the blinds; sometimes there is a birdcage hanging in the window, a towel covering most of it, obscuring a wildly excitable parakeet, and other times there is not. I sit in the stuffed chair, and the boy sits between my feet, on the floor, in front of the coffee table and the television, Toonami on the screen and a bowl of Rice Krispies cereal buried in brown sugar in front of him. He finishes off his after-school snack and his episode of Ronin Warriors, and heads upstairs to work on his homework. I’m left alone in the family room, waiting for Sailor Moon to come on, doing homework of my own. He is either in grade school, or junior high. I am in the latter; at other times, high school. Later, he’ll ask to go play outside at the round, dead-end of our cul-de-sac, by the communal basketball hoop, where I can keep watch from the living room window, while reading on the couch. Few of these details will change much, from one day to the next, year to year. The shadows fall and move across the wall as the day wears on, until his parents come home later, before dinner. The curtains are always open. No matter how familiar it might become, there is a certain kind of quiet that only surrounds your ears in someone else’s house.

Looking back on afternoons like these, I can’t possibly count how many there were. I babysat him for years. He was very quiet, and so was I; at his age, I spoke even less. His older sister played “Hummer” for me off her Siamese Dream cassette — by which I mean she let me hover in the doorway of her bedroom upstairs while it played, and she ignored me. When you are so habitually quiet, this is easy for people to do. Their parents let me use the internet on their home computer, years before we had one in ours. His father called me Nori. I’d sit in his office and chat with my best friend Matt on AIM while we played goofy online games. I possess — always have, still do — a very odd sort of sentimentality about things, and in a binder somewhere packed away, I still have a few printouts of some of those chat logs. (I couldn’t tell you why I printed them out then, nor now. I just did.) So much, of so little.

Maybe things have always felt as if they may slip away from me at any time, even when I was young, and I’ve always attempted to capture what memories I could in whatever strange places I could enmesh them. I’ve never been able to justify this feeling, but I think it must always have been with me. I have a very sharp visual (and aural) memory, almost eidetic. I have a couple of boxes hidden away in my room even now, in my 30s, associated with certain people, filled with such random objects and pieces of paper. When processing crime scene photos in college, I often morbidly wondered what a stranger would make of all the tiny, seemingly random little nothings that comprise a life and litter my small spaces in the world, when I would one day inevitably leave them behind; the things that shaped and tethered me, removed from context in death, left with nothing more to do but be thrown away, forgotten, to gather dust. There is a bittersweet little matchbook sitting one of my shelves of knick-knacks at home, and I can tell you exactly who gave it to me, and when, and how it felt to me then to receive it. Considering what a nothing object it is, long forgotten by anyone but me, this can seem awfully absurd. I have no explanations or excuses for my brain doing these things. I often wish it wouldn’t.

Slow afternoons as a child and young adult feel so different to look back on, let alone compare to what slow days feel like in adulthood. I suspect this is mostly to do with the same reason why any other passage of time feels so different the older you get, why time seems to fly through an hourglass the more it passes. When you are a child, an afternoon represents a much larger chunk of the time you’ve lived up to that point than it would today. Birthdays, holidays, vacations, they all seem so much further apart; and to you, at that time in fact, they are, in a way they never will be again. I don’t remember afternoons dragging, to me, as a child — but I’m sure that they must have! children can be some of the most impatient beings on earth — I only remember them now as if they are warm, quiet, heavy moments, like flies suspended in amber. This effect, which can only exist in hindsight, may also be tied in to the general lack of obligation that children can enjoy, up to a point — we do usually have to go to school, but until I began working at 15, that was the main structure around which my whole life existed; everything else was flexible, open, and so free to be wasted. I must have whiled away hundreds, if not thousands, of afternoons in that living room, with that little boy, with very little changing. And yet then, just as now, time was passing; my gawky limbs were lengthening and lines were already beginning to form on my face — we were growing up, growing older. Growing old. These days, any slow passage of time takes work to appreciate and enjoy, if my head is not in the right space. I can easily look at it as wasted, stagnant, lonely, and with regret. What other things could I have been doing? Productivity is such an ugly word. I imagine this may be one of the great things that kills so many artists once they begin to grow up. Productivity is where daydreams flatten out into nothing, where mindless doodling goes to die.

Summer is here now, which is a largely meaningless season outside the construct of school, as work doesn’t have an off-season (or at least, not for most of us). The air is heavy with heat, and the light is golden and sharp on the eyes. I wish I had grown to accept and thrive more in isolation then than it seems I ultimately did — it is a much more uphill battle now, sometimes, particularly as my solitude increases of late. This uncomfortable place between a restless mind and a peaceful one is likely the biggest place for my anxieties to hide and thrive. Whatever losses I did — and still do — mourn recently, I am much better at tackling it than I have been in several years, to be sure. There was definitely some adjustment necessary, learning to be alone in a much bigger, darker, more wide-open city. Walking around it alone is essential, and I always should be doing more of this. But there will probably always be a part of me that envies my younger self — she will crawl out of dark corners like a snake — and her ability to pay far less attention to time passing, most of all to those countless hours passed alone.

Lagan

They fell, down a mountain —
or was it a crevasse, a ravine?
Were they buried beneath the frozen white,
or when those hills were green?

My father falls after them, still, and slowly
I could not stay behind to watch
as it ate away at the both of us;
now he’s gone too far away to touch.

My desires, my wishes reach out to me now;
they’ll grasp my ankles, if I let them
My dreams of late are filled with waves —
from the deep, I hear their darkness beckon.

The sand is hot, birds wheel in the sky
while that old water calls out to me:
“Remember how I held you so many times…
remember how well you loved me?”

As a girl, my mother called me her little fish
and I wished for the scales of a mermaid
Forgetting that, were I ever to meet one
only death could follow her serenade.

So I fell last, not where or how I believed
could ever creep in and surprise
And now, at last, she beckons me, and I
am lost, falling through his warm eyes.

Just as before, the water is fierce
deep and strong and dark…
Below is ahead of me, above is behind
as her waves swallow my last little spark.

As a girl, I read of little Hattie
and the ocean she watched all her days
Now I wait, too, with these hopes like rocks
weighing me down, though he never stays.

 


 

Image © Barbara Cooney, 1990. I still own my old, well-loved copy of Hattie.

(And still, I am no poet. Apologies; I couldn’t sleep.)

Some of us will always stay behind

This has been a strange year, and as it drags on with so little being accomplished, I feel more and more things slipping away from me. Living with anxiety as I do makes feelings like these into a very cruel sort of game (and a very difficult one to express): which ones are real, and which ones are all in your head? You can never quite answer correctly, either, because you will worry either way. It will either be justified worry, or it won’t, but either way, it still steals my energy, my hope, my time, and leaves me feeling sore and defeated.

Some of these things, I know, are real. Neither of my parents’ lives have any stability left in them, even as they near the age when you are supposed to retire. In reality, I have no idea what will happen to either of them, nor do they. My father ignores this, and my mother just accepts it. I do envy her ability to cede all illusion of control, but perhaps that’s something that can only come with age, and too many years of life disappointing you. My roommate seems to enjoy regularly reminding me that there is no stability in mine, either, in all sorts of thoughtless ways. Projects, relationships, hopes, all seem to be falling away from me, on all sides. My mind used to dare to give me the occasional hopeful dream, but these days I just have regular, obvious, exhausting nightmares about falling off bridges or buildings or through floors, getting swallowed up by tangles of dark things I cannot see. I have gotten much better at managing my anxiety this year, it’s true, and that is a hard-fought victory. But at my core, I remain the same difficult person I’ve always been, the one who does not fit anywhere. If she says otherwise, she is a liar.

This may be a darker part of the reason why my experience with drowning never scared me much. Apart from the lack of pain, and the fact that both my breathing and my flawed little heart stopped within just a few minutes — this is an easier fate for your body to accept than you might expect, at least when you’re enveloped by something as powerful and ambivalent as the ocean — it felt somehow appropriate to me, even then. It’s not a particularly violent death, and if one were allowed to choose what eventually removes them from life someday, I’d opt to just lose to the ocean again. (There are certainly far worse ways to go, and I know too much about most of them.) I have a lot of dreams about that day lately, too. The familiar, inevitable feeling of the endless water surrounding me at all sides until I could no longer struggle or see — like everything else in life, like my mother, I fought it until I had nothing left with which to fight — until I simply slipped away.

Always held close in your fear

After several months of sitting on it, taking forever to finish it off (and only 36 exposures! amazing what the cost of printing will cause you to be stingy about), I finally had a film roll developed at my nearby lab. I had not shot a roll in nearly a year, and before then, not in about a decade. I had never shot in black and white at all, before the winter before last.

I was far more encouraged by the results of this set than the one from last year. Perhaps last year’s pieces were tied too closely to emotions that were difficult to process, tied up in too much pain. I’m not sorry I took them — I’ve taken millions of photographs in my life, having picked up my first camera over 25 years ago — I will never be sorry to have taken a photograph. But the keep ratio on that roll was embarrassingly low, and I had set too high a bar to challenge myself with, after so long away from the unforgiving, changeable, wonderfully unpredictable nature of film. I shot nearly an entire roll late at night, wandering alone out on the streets of the city, with an old, persnickety steel tripod and a handheld shutter release shaking in my hands in the coldest weeks of winter, losing the feeling in my fingers, wishing I still owned a pocket watch to properly time the seconds of my long exposures. The camera body itself is 10 years older than I am, and made of steel, too. Its heft is reassuring and dependable, but must be adjusted to. I stumbled a lot, on that roll.

This second batch is certainly not without its errors, and not just because I’m not the only one to use it — a couple of friends picked it up, at my urging, for a few shots. I ended up, somehow (too many months have passed to be sure how), with a few double-exposures, one is entirely underexposed — so much so it took me a few minutes to decipher where I had taken and what it had been of. A few are not a good mix of aperture and shutter speed, and came out sadly flat as a result — black & white film is completely unforgiving to a failure in getting those elements talking to one another smoothly, and will wash most all detail away in mid-range grays as punishment.

And yet… the ones that do work, this time, outnumber those that do not. And the ones that work rather stunned me. It has been such a long time since I felt so moved by any of my own work. I am reminded how much more deeply film carries a feeling of place and memory for me, in a way that digital never has. It’s not that digital photographs I’ve taken (which still greatly outnumber those I’ve shot on film, sadly) hold no meaning or value to me; quite the contrary. But no digital photograph has ever given me the feeling of sudden and deep transport back to a place I once was and exposed a frame to light in the way that photos like these do. And the places (the poppy fields, Hollyhock House) and things I most hoped to capture — to freeze in time, as Susan Sontag once described us photographers as constantly, vainly fighting to do — were right there before my eyes, almost as if I had been transported directly back into those very moments again. I’ll even admit to audibly gasping at one or two, they exceeded my expectations so completely. The warmth and texture, the true depth of space, the contrast and purely imprinted light… I have scrolled through the lot of them several times already, and with a sense of deep contentment with my work I have not felt in perhaps many years. This is how you want a photograph to make you feel, but it’s been long enough since I last achieved this, I had forgotten what a powerful feeling it can be. I’m sure some will be posted here, or elsewhere, soon. I can feel proud to place my name under them. I also can see better what my margin of error will be with this particular film I’ll have to work within for a series I’ve been planning to shoot for years, and will begin work on soon. But looking through these, I can also see — within those limits — what I am capable of capturing, within those limits, and it is encouraging.

One photograph in particular — and it is not even one of the technically “successful” ones; it is underexposed and not fully in focus, though I knew the moment I took it I would be lucky if anything in it would come out discernible at all — captures a treasured memory, a very precious moment in time. I surprised myself, at the time, in even daring to take it. And it is fairly dark, and somewhat blurred, but… it is there. My happiness in that moment, my peace and contentment, are right there within it, alive still.

Seeing any sort of hope realized, for once, even a relatively small one, feels so rare to me, or possibly it just seems that way of late. Looking at it reminds me how I still long for another moment like it, but seeing it preserved better than I dared hope I might be able to makes that feel not quite so impossible now, somehow. I did not know even a slice of my own face could look as beautiful as it does there, and that is a hopeful thing to see, too.

Undoing the laces

This past month, I skipped a period. Thanks to the current state of my social life, this was fortunately no cause for alarm, and the only reason I noticed it is that, for the past couple of years, I’ve been using an app to track it (for the times when it would be more pertinant to know). When I was younger, it took years for my cycle to stabilize; as a late teen and even into my 20s, I’d sometimes go two or even three months without having one at all, though I have no idea why it took so long to even out. This is only noteworthy now because it jogged a memory in mind which I typically am able to successfully avoid thinking of. The last time I skipped a period, it was because I was pregnant.

This is not something I even have to actively shy away from thinking of often, both because a good amount of time has passed now, and also likely because of how strangely I processed it as it happened (namely at a strange remove from both myself and my body, in hindsight, likely as a means of self-preservation when I felt frighteningly out of control of both). But every now and then, some small thing or comment might bring it back to me, and I try to dodge it as quickly as possible. I don’t feel any pain or emotional distress about it, and I’m not sure that I ever really did; I simply don’t see the point in staying with that thought. It is past. It happened, and then it didn’t, and life goes on.

My sex life in general, and with the partner in question, is irregular enough that, once I figured out what had happened, I knew immediately when it had happened — two days before the end of 2014. It had been a relatively busy day. We worked, we had a business meeting, we drove back to my place, we talked and relaxed a little while. He discovered there was a health scare with a relative, after receiving a phone call from a family member. (Ironically, the relative in question passed away later that same day, though he didn’t find this out until a bit later, probably the following day. Insert whimsical musing from a more spritual person than I about the cycles of life and death: here.) I remember it still as some of the most intense and intimate sex we had ever had up to that point; I remember looking down at his face in the dusky light coming through my window, and the way he looked back up at me. (I even hit a fun personal record that day, actually, if I remember right; I have yet to top it.) We made it last a long time, and I remember plenty of what was said, still, and how it felt. All of it was quite memorable even before the date gained any extra significance. I still get a little warm, even now, thinking back on it.

Thinking back now, the most recent time we were together was New Year’s Day, the start of this year, and it was a lovely and surpring way to start it. But I also remember, later that same day, suddenly realizing, I think while sitting and reading in a cafe, that at that same time, two years prior, I would have been (unknowingly) pregnant.

The fact is, I didn’t find out that I was pregnant until it was already over. I found out because of that, in fact. That doesn’t mean that I wasn’t aware that something was different; I was. (Describing it to a friend later, one who had also had a pregnancy scare earlier in her life, she agreed with me completely that the only way to describe it was just: “weird.”) I didn’t feel sick, or in pain; I just knew that something was fundamentally off about my body, whatever it was. I couldn’t explain it, but it was foreign, and it frightened me. I gaslighted myself about it a good bit for a while, because plenty of other factors in my life at that time were putting me through the ringer. I was being systematically abused and harrassed at work, to the point that the stress was affecting my health in numerous ways, both mentally and physically, though I couldn’t see just how badly so until it was over. I assumed, at first — or at least told myself, because it was less frightening — that I felt so weird simply because I was so stressed about money, constantly under attack at work, and never felt free from stress. And when I missed my period, I told myself that these were also the reasons why. Stress causes skipped periods all the time. It was nothing to worry about, and I certainly didn’t need any extra worry. I am fine. Stop thinking about it. I am fine.

My partner, and dear friend, of course picked up on this. There was even a moment where I could tell he suspected, consciously or unconsciously (I still don’t know which), exactly what I was afraid was happening, even as I denied it to myself. He gave me a particular look, at the end of a work day, while holding me by the hips; I said, “What?” and pretended I didn’t know what had just crossed his mind, and he said, “What? Nothing,” back, just as defensively as I had, and we were then united in pretending that neither of us was thinking about this at all. After this point, I’m sure he dismissed the thought entirely, because he told me later he hadn’t known what specifically I was worried about. And why wouldn’t he forget about it? This was my body that was beginning to feel foreign to me. He couldn’t feel any of it. Still, he asked me to come over later that night, after I was done with work, because he was still concerned about me, and I did. He knew that I was seriously worried about something, and did not pry. I was relieved, because I was completely incapable, at that moment, of confessing what I was thinking. I was terrified; both of myself, and what he would think of me, however irrational that was.

(My Google search history around this time, in retrospet, was hilarious. It had started as simply as searching for the strangely unquantifiable “symptoms” I was experiencing. Once “what are the signs of early pregnancy” became the first suggestion to pop up, I felt singled out by a fatal spotlight like an inmate attempting to escape from prison, and panicked. Once I let myself go down that rabbit hole, I moved fully into terror. My search history then shifted: First, “Does Medicaid in California cover abortion?” Then, “What does abortion cost through Planned Parenthood?”, and so on. I started reading about what going through one feels like, and felt sick, and more afraid than ever. I wondered if I would have to go alone, before I even knew if I’d have to go at all. The only way I could answer that question was if I confronted how cowardly I felt about telling anyone what was happening, or even what I suspected was wrong. I told no one. I was entirely paralyzed by fear.)

Curled up in his lap on his couch, I still did not tell him. I justified this by telling myself: We’re both anxiety-prone and mildly hypochondriacal. I don’t want to tell him anything until I know there IS a concrete thing to even worry about. This was a purely honest reasoning, but I’m not sure I’ve ever decided whether it was the fair or right thing to decide. But ultimately, I kept quiet. He held me close and tight, stroked my head under his chin, and said: “It will be okay. I’ll always take care of you.” Despite my crippling panic, I believed him. And I felt a bit better. Better enough, at least, to leave his place near midnight, drive immediately to Ralph’s — lying and saying I had already made it home — to buy my first ever pregnancy test. It was not cheap, because none of them are. I silently begged the young male cashier to not judge me for coming in, alone and pale, after midnight in the middle of the week, and buying nothing but that. Blessedly, he said nothing, and simply wished me a good night. I smiled, because I felt like throwing up, and didn’t feel capable of speaking to anyone.

I had read online — because, in America, shamefully, that’s likely your best source of sex ed, and it was never a question I’d needed answered until then; I was 28 — that the best time to take a pregnancy test is in the morning, just after waking up. This meant attempting to sleep first, which felt impossible, but I must have, because I do recall waking up the next day, feeling like a stone had replaced my entire stomach. By this time, though there had been some spotting and inexplicable pains very different from cramps — which was what had set me off on my bouts of paranoid Googling in the first place — my period was over two weeks late.

I got up and did what I had to, then sat and waited. I think I had to put my head between my knees to calm down, as I hadn’t eaten yet, and felt like I might pass out. Every joke about how long the two minutes is where you are waiting on one mark or another to appear in a little white window are true, and I can only recognize now what a cruel joke that is. I finally checked it, and my hand was shaking. What will I do? What am I going to do? What is going to happen to me? kept flashing across my brain like a visual siren. I still hadn’t even begun to answer any part of that question. I had never been so frightened, nor felt more alone, that I could recall, in my life. But then: it was negative.

I wouldn’t find out until the following month — when that period seemed to arrive early, heavy, bloody, and more painful than any other I had ever experienced — what had happened. By the time I took the test, I had already miscarried. That early on, it’s called simply a chemical miscarriage, which I found out — now searching online through a haze of stupid relief and mild confusion — actually occurs a large percentage of the time, but is rarely talked about, because it happens so often and so early (though is part of why there’s something of an unspoken rule about announcing a pregnancy until after a later benchmark has already been reached). It was extremely painful, and I knew what it meant, but I still did not tell him. I kept the blood and pain to myself. I still cannot say why I did this, because I do not know. I did not ever actively decide to keep silent. I don’t even recall thinking of doing anything differently.

I was racked with too many other worries, I suppose, to even consider doing more than laughing hollowly to myself, “Well, there’s an abortion I don’t have to get!” and moving on. But all the other stresses from before had not gone away; many had, in fact, only gotten worse. In just two weeks, I would be wrongfully terminated from my job. I had never been fired before, and had — at the most generous and optimistic estimate — no more than three weeks in which I could conceivably be without work before I’d have to start thinking about whether I could survive living out of my car. I had no time or space in my mind to think about it. It was over. Before I even realized what had happened, it was already over. So it didn’t really matter, right?

I didn’t even use the word “miscarriage” until several months later, in the midst of a conversation with a trusted friend; I think it was as late as November. We were discussing how crazy my former job had gotten toward the end, from the safe remove of hindsight, and I shocked even myself when the words “It caused me so much stress I literally miscarried” came out of my mouth. She looked as surprised as I felt to hear them. But, of course, Oh. That is what happened.

That night, I finally did tell him. I knew immediately that he was shocked and hurt that it had taken me nearly an entire year to confess this to him — though I had never actively kept it from him, as far as I knew — and felt horrible. But I had just… moved past it. I didn’t think of it. It happened, I barely examined it, concentrated instead on getting a new job, then adjusting to that job, and so on. Life moved on, and the more time passed, the less I thought of it, if at all. I tried as best I could to express this to him, but I’m not sure he ever understood. He was able to laugh a bit and shakily joke about it, just as I had done (“I guess that’s your free pass!” and “We would make really cute children, but uh, not right now.“), but not before he said, “I’m sorry you lost it.” I didn’t dare ask him what that meant, because I realized it likely didn’t mean much of anything, but maybe that I felt the same, and that I couldn’t fully understand what that meant to me.

I know, in hindsight, that it complicates my feelings on children somewhat, which I have never wanted — a woman like me should never bear a child — and in particular, these days, with the current state of the world, it feels just cruel to me to even consider. My mother, though never the sort to expect me to procreate, nor push me to, used to gently say, now and then, “You might change your mind someday!” Because, yes, one can never truly say “never,” and also because that is what had happened to her. But I always quietly resented it. Once, just before I moved to Los Angeles, when I was riddled with those particular fears and stresses, I had the most vivid and horrifying nightmare I could recall having as an adult: though I wasn’t yet sexually active at the time, my worst stress dream manifested in a fiction where literally everything else about my life was normal and exactly the same, except for being roughly 7 months pregnant, and having no idea how it had happened. I felt deep, visceral horror at it, that I was hosting a parasite (not an inaccurate comparison). I woke up just on the very edge of what would have been the first fully-fledged panic attack of my life, nearly hyperventilating. It took me at least a half hour to calm down. My mother finally stopped dropping her little comment after that.

I’ve never asked what he meant by that Sorry; I imagine it was mostly more along the lines of, I’m sorry you had to go through this, or I’m sorry for my part in this, or I’m sorry that you didn’t tell me sooner, or simply I’m sorry that a bad and painful thing happened to you. It might have been all of those things at once. Maybe he even shared some of the inexplicable sorry that I also felt, and could not explain, but that would hover in the back of my mind when I would remember, at random moments, the fact that, somehow, despite protective measures, at that time, some of his cells began to combine with mine to make what might, theoretically, have eventually been a new person, but of course, for so many reasons, never could have. That this was likely, for better or worse, the closest I would ever come to having a child. The inexpressible sorry that says: It’s just… strange to realize that that’s something that happened to you (to me). I don’t know. But it did.

I do know how silenced I was by so many irrational and shamefully selfish fears, surely heightened by my anxiety disorder, back then: How could it not change everything between us? What if he never wanted to touch me again? How could I even justify to myself having both those worries in my mind at the same time? Some small part of me is probably just as irrationally (if not even more so) afraid of the same things now, simply in writing this. Whether this is because of the strange stigma and silence that surrounds women and miscarriage, or the constant change that exists both in relationships and in life, or simply because love — being as hideously complex as it is — involves both selfishness and selflessness, simultaneously, and pokes at our very deepest fears, I don’t know. I do know that I am a worrier, to a typically ridiculous degree, because that is the largest part of what having an anxiety disorder means, and I also know that most of the time, my worries end up being completely unjustified. But I also know that some form of this post has existed in my head, off and on, for many months, and apparently needs to be written down somewhere, because it has not gone away. It was keeping me from sleeping last night, even. I don’t know what that means, either.

I do know that, almost exclusively, my favorite songs — or at least ones that I can fixate on or end up sitting with on repeat for hours — by artists trend almost exclusively toward the melancholy or mournful: Michael Jackson’s “Stranger In Moscow,” Peter Gabriel’s “Mercy Street,” Pink Floyd’s “Take It Back,” Aimee Mann’s “Real Bad News,” Bloc Party’s “Signs,” David Usher’s “Devil by My Side,” Genesis’s “Carpet Crawlers,” Harry Nilsson’s “Remember (Christmas),” and so on, and on… And I know that, long before I knew what the lyrics were largely about, my favorite Fleetwood Mac song was “Sara.” It still is. But the way in which it speaks to me now, I realized when listening to it recently, is slightly different. And I don’t know how to feel about that. I don’t know that I’ll ever know.

Hold on
The night is coming, and the starling flew for days
I’d stay home at night, all the time
I’d go anywhere, anywhere, anywhere…
Ask me and I’m there
Ask me and I’m there, I care…

Exoskeleton

17934563_440062826327421_3878326052056989696_nI’ve spent too many years, mostly in the half of my life spent at work, sitting with my legs crossed, and some of the many marks on them now attest to that. I hate them about as much as I hate all the other myriad marks on my problematic skin, and yet entering my thirties I am coming to accept that they will go nowhere, no matter how much I hate them, and I must simply do my best to — at worst — ignore or not see them, and — at best — learn to love them. I don’t love much about how I look, so this is a large task to ask of myself, but it would be irresponsible of me not to ask it, simply because it is unpleasant and difficult.

Summer is almost here; the time of year in which I can indulge most often in lovely walks around my neighborhood and my city, but in which I cover the least amount of skin, thanks to just about the best weather in the world, and this always presents a conundrum. I want to walk up the hill to the park near me that overlooks the city I love, I want to lie on the beach and swim in the ocean that I once took to like a fish; I want to stretch my long legs out in the sun, the grass, the water. I want to do these things unselfconsciously. I want to do these things without the back of my mind whispering to me — sometimes yelling — how much I hate the skin I inhabit. I want to not care. I want to be free of the vision of myself that is ugly, flawed, marked, imperfect. I want to ghost through the water and the air as freely as I did when I was young, before these marks came to me, before I realized, desperately and angrily and painfully, they would never leave. I want to believe that those who say I am beautiful just as I am are not keeping the exceptions to that beauty to themselves out of misguided kindness, that they mean what they say, that I am beautiful as I appear now, and not as I wish to. I want to no longer feel aching envy in my chest when I walk behind all those beautiful girls with their flawless skin who have no idea how lucky they are to not have to think of it at all. I want to walk and sit and be, and to like what I see when I look down and observe myself, which — as the late John Berger once so eloquently described it — all women must do, in some way, every moment of our lives. I wish I knew how. But summer is almost here; it will arrive whether I am ready for it or not.

It is a surprisingly late week of cold weather at the moment. It’s both a reprieve in that I can hide behind extra layers for another week, at most two or three, but it will end, of course. I am working on not seeing what is there, mapped on my skin, which no one has been able to explain the presence of, nor fully heal or erase. I am working on pretending no one else sees it. Eventually I hope I will no longer consider these marks a burdensome, ugly thing to carry; that they will simply be there, and I will no longer care.

Tattoos, in my life, have served as expression, reminders, declarations, and challenges to myself. When I think of them, all of which I have chosen very carefully, I see my body as a canvas. I’m trying to focus more on that, and less on the rest.

“Tugging at the darkness, word upon word…”

“I am beautiful/ Molding my own world/ The old me is behind/ I will march ahead anew.”