Reminder

Don’t forget,
There is no version of the story
You told yourself that was ever true.

Don’t turn around,
There was never anything to turn back for.
Your anger that day was real,
And had more than enough reason to be.

Remember,
Whichever version of the truth you choose:
Never good enough, never wanted, never needed, never worth the effort…
One or all were and still are true;
There’s no need to turn back to check; you know.
You already know.

Just keep walking.
You have nowhere to go, but you are coming from nowhere, too.
Glancing back over your shoulder won’t make that space any less empty, and all you threw into it any less of a waste.

No one is behind, and no one is waiting;
Alone is alone, and all you’ve ever known,
So just keep walking.
When there is no one expecting you,
After all,
There’s no need to hurry.
Don’t forget.

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Llorando

Mulholland Drive is one of my all-time favorite films, but it can also plunge me into the depths of truly unique melancholy. I remember once standing in line outside a different theater than the one I watched it in tonight, unable to avoid overhearing some young guy haughtily attempting to “explain” what the movie means to the poor, trapped girl with him. In the moment, I just had to laugh to myself about the likelihood that such a conversation would piss off no one more than David Lynch himself. Still, the older I get, the more I work through and survive, the more deeply the film seems to affect me. Maybe it’s a film which has threads that are only navigable if you recognize the feelings explored through them.

If you’ve come to a city, full of dreams, the place itself often described the same way, and watched them all shrivel away. If you’ve had something creative that you felt was yours wrenched out of your control, twisted beyond recognition. If you’ve attempted, feeling buried and trapped by the best and worst of your memories, to re-write your own history in a far better, softer light. (Naomi Watts’ incredible duality cannot be under-praised in this respect. The smiling, big-eyed idealism and breezy confidence of her fictionalized Betty persona, compared with her brokenhearted, bitter and raw, gaping wound of a real Diane is something to behold.) If you’ve ever wanted to imagine yourself as an arrival on a film set who commands the attention and drops the jaw of the director himself, as opposed to the one more invisible nobody that you are. If you’ve ever, hopelessly naively, given your heart to a charming, flighty, selfish Camilla. It’s all there, all at once. It’s beautiful, and dark, and hopeless, and overwhelming.

Walking out of the theater tonight, though it was already after 10:30, I knew I couldn’t go straight home. My life in general has felt almost completely unmoored of late — my family, my work, my measly personal life — and all I felt able or driven to do was continue walking. Which I did, for well over two hours. I reached a point where my legs, particularly the injured one, were protesting enough that I wondered if I would make it home, though I kept on. I think I was looking for something, anything, out in the night to help me feel less alone, or at least as if I still belonged here.

I only encountered things that came across as the opposite of encouraging, naturally. Even the little feral cats I used to visit in their yard, who I had particularly been hoping to see, were nowhere to be found; perhaps I’ve been away too long, and am just another stranger to them now, though I didn’t even see any slinking silhouettes in the dark. What I did see: a dead rat; broken bottles galore. Winding my way back west, I passed a man clinging to a pay phone, one of the few remaining that still functions, pleading and sobbing over the phone line, with someone who was not here with him. I knew how he felt, too.

Perhaps the time when there may have been anything or anyone out there for me to find comfort or encouragement from is over. Maybe the time before now, even, was — as the band leader reminds us in Club Silencio — “all an illusion.”

There is a stretch of Fountain Avenue that crosses briefly over the 101 freeway. It is so dark, late at night, along this particular piece of road, no one — if there even is anyone around, which there rarely is — can see you; it’s a struggle to even see the sidewalk ahead of you. It is a safe place for someone like me to cry when she never wants anyone to see. It’s a place where, though I’ve personally never quite reached suicidal feelings, even at my most depressed, I can briefly understand the impulse that drives people to jump off highway overpasses. It is loud, and bright, and nothing beneath you will stop, even when everything stops for you. It would be over quickly, if one were to do it. It would be forgotten maybe an hour or two later, afterward. The cars will keep on driving.

Naturally, I eventually made it back, only to discover I’d worn a hole through a favorite pair of socks. A fitting end to a meaningless journey in the dark.

The scene when Camilla leads Diane up the hill in the night, through a “secret path” in the brush, and Diane looks down and smiles to see her hand holding hers, and Angelo Badalamenti’s score sweeps through you… I’m not sure any other scene in a movie can make my heart ache more. It is the last moment she still believes in the illusion of her life, and her love, as if any of it was real.

It doesn’t last, of course. Not long after, she goes mad with grief and guilt; she kills herself. But at least, for that one final moment, the fantasy of what she’d thought she once had still feels like it might have been real.

恋の予感

BW05

Pretty mountain. (West Hollywood)

I was running late, from my other job I was pretending I didn’t have — or rather, lying about it being somewhere else, mentally berating myself over both things, simultaneously. He was running late, too, though I have no idea from what — I was too nervous to ask. I remember wishing I could’ve dressed more nicely, without being sure whether the occasion even called for it, but having no time between to do so, not that I would’ve known what to wear, anyway. I didn’t know how to look nice, really; I wasn’t used to caring. I might have even had my (then longer) hair tied back, lazy as ever, because I wasn’t in the habit of caring about how it looked, either, but I can’t recall for certain. Fuck, do I hope I didn’t.

I do remember, hilariously, that I pointedly hadn’t shaved my legs, not so much because I believed there was any potential for anything to happen (I didn’t dare be that optimistic), but more a ridiculous little inside joke between me and Bonnie Hunt, who I do not know and will never read this, by way of Return to Me. The only thing I had on to potentially look more presentable than I typically did was my boots — fashionable and covered with buckles, but far better for walking than they appear — otherwise all I could do was put on a vaguely nice outfit, despair at my skin as I did (and still do) every day, hope for the best, and head out the door. This was what I’d come here for, I was finally ready to say: I am ready for things to happen to me. I am ready to make things happen. Back down in my hometown, I couldn’t; too much despair and anger tethered me too closely to the ground. But now, at last, I could. As the late poet John Berryman said, “We must travel in the direction of our fear.”

While I was still in the car, looking for parking in an unfamiliar neighborhood, he chanced sending me an unmistakably, albeit gently, flirty text message, and I finally felt I could chance some real optimism about the whole endeavor. I’d been too busy for the past week or so being extremely, silently pissed at myself for having any interest in the first place; I was new, this was stupid, I can endlessly punish myself for feeling things, no matter how innocuous, etc. It was already the second thing — after asking me to meet him in the first place — that he’d been brave enough to risk; that I’d wanted to do myself, but had been too afraid to. My pulse quickened a bit, and I finally found a spot.*

As I approached him on the street, where he stood in casual silhouette waiting outside his apartment, I realized: yes, this was a date. We both wanted it to be, and this seemed to hang in the air between us the closer I got, and so it was. And from there, we walked. Winter was approaching, and it was already dark out; streaks of reflected neon light from shops lining the boulevard shimmered up from the asphalt, as cars hissed sleekly through them. There was still a slight mist of the earlier, weak drizzling rain hanging in the air like a moist kiss.

I wish I could retrace our steps exactly — I have a vague idea of the paths we wandered, but I was still new to the city, and not very well acquainted with the area yet; the streets didn’t mean anything to me then. Our strides matched each other perfectly, which he noticed, and commented on, sounding pleased.

My heart remained simultaneously in my throat somewhere all night, while I also felt surprisingly calm and at ease. I rarely ever feel at home with people, and almost never do so immediately. It felt a bit like being mildly high, or some other form of chemical imbalance in the brain. He was easy to talk to, with a slightly shy smile, as though he wasn’t sure he wanted me to see beyond his moodier way of presenting himself outwardly. He watched me carefully all night, while I deftly avoided eye contact, not yet used to feeling okay about looking anyone right in the eye, after having been trained out of it for so long. Later on, sharing a milkshake, he watched me again, more closely still, playing with my hands across the table; I watched his fingers caressing mine, instead. At one point I did chance a look up, and there was such an open look of sweetness on his face, it shocked me, warmed me to my toes. I didn’t look away that time.

It was late when he walked me back to my car, holding my hand, sharing jokes as we traversed the mostly empty streets. Standing by my car, lingering, I gave him an opening, surprising myself, and he wrapped an arm around me and pulled me into him. It was a hell of a first kiss — though I didn’t tell him then, not for a little while, that that’s what it had been. I was afraid he’d think of me as childish or pathetic, given my age, or worse: it might break the spell that seemed to have taken hold of me, and cover me back up with the veil that had always made me as invisible and unwanted as I’d always appeared to be. I was visible now; I wanted to be seen.

And so I was. I melted right into him, and forgot about everything else. It went on for several minutes, and genuinely made me weak in the knees; I sort of fell into the front seat of my car after we said good night. But I remember, too, how I could feel his knees trembling against my thighs, and how wonderfully endearing that felt, how awed I was by even the concept of having any sort of power over anyone to inspire such a reaction, let alone facing the reality of it pressed warmly up against me. *I’d gotten a parking ticket; something I could not afford to deal with then, and which should’ve both terrified me and pissed me off, and yet in that moment, and for hours afterward, even, I genuinely could not care even slightly about it. It had flown out of my head, along with just about everything else.

I even missed seeing a pothole on yet another unfamiliar street, on my way home, just before merging onto the late, near-empty 101 North (and later overshot my freeway exit, too). My car had already been making a lot of cranky noise about the slowly degrading control arm in its undercarriage, but following this it made even angrier noises related to this particular oversight for years afterward, though I never told him. Slightly damaging my car driving home from that first date in such a haze of wonder and lust and smitten energy remained a funny reminder of that night to me alone, even once I’d finally gotten it repaired, only just earlier this year. My mother would’ve understood, but my father never could have.

There was some great expression in me that had been waiting to be brought out, or is still forming even now, or perhaps there are yet many of them in me still, big and small ones, coming out all the time, while others lie in wait. I do know that I wouldn’t feel this about myself at all if not for the spigot opening that night, and his uncanny ability to continue to open me up beyond that intial spark, and help me to face all the things I’ve found there — good and bad, silly and sad, beautiful and ugly.

This was all only 10 days after we met; 10 days further on, and he’d be wrapped around me from behind in my car, in a seemingly impossible position, the physics of which I still can’t fully explain, gently stroking his fingers along the top of my breasts, just above the line of the tiny red dress I’d deliberately worn to the holiday party, working his hand under it to my bare skin while a cop car sat just 50 feet ahead of us. Fuck, was I in trouble.

But I knew that before then. I knew it out on those streets, when I realized as we struck out together in the night that I would’ve walked anywhere.

Exoskeleton

17934563_440062826327421_3878326052056989696_nI’ve spent too many years, mostly in the half of my life spent at work, sitting with my legs crossed, and some of the many marks on them now attest to that. I hate them about as much as I hate all the other myriad marks on my problematic skin, and yet entering my thirties I am coming to accept that they will go nowhere, no matter how much I hate them, and I must simply do my best to — at worst — ignore or not see them, and — at best — learn to love them. I don’t love much about how I look, so this is a large task to ask of myself, but it would be irresponsible of me not to ask it, simply because it is unpleasant and difficult.

Summer is almost here; the time of year in which I can indulge most often in lovely walks around my neighborhood and my city, but in which I cover the least amount of skin, thanks to just about the best weather in the world, and this always presents a conundrum. I want to walk up the hill to the park near me that overlooks the city I love, I want to lie on the beach and swim in the ocean that I once took to like a fish; I want to stretch my long legs out in the sun, the grass, the water. I want to do these things unselfconsciously. I want to do these things without the back of my mind whispering to me — sometimes yelling — how much I hate the skin I inhabit. I want to not care. I want to be free of the vision of myself that is ugly, flawed, marked, imperfect. I want to ghost through the water and the air as freely as I did when I was young, before these marks came to me, before I realized, desperately and angrily and painfully, they would never leave. I want to believe that those who say I am beautiful just as I am are not keeping the exceptions to that beauty to themselves out of misguided kindness, that they mean what they say, that I am beautiful as I appear now, and not as I wish to. I want to no longer feel aching envy in my chest when I walk behind all those beautiful girls with their flawless skin who have no idea how lucky they are to not have to think of it at all. I want to walk and sit and be, and to like what I see when I look down and observe myself, which — as the late John Berger once so eloquently described it — all women must do, in some way, every moment of our lives. I wish I knew how. But summer is almost here; it will arrive whether I am ready for it or not.

It is a surprisingly late week of cold weather at the moment. It’s both a reprieve in that I can hide behind extra layers for another week, at most two or three, but it will end, of course. I am working on not seeing what is there, mapped on my skin, which no one has been able to explain the presence of, nor fully heal or erase. I am working on pretending no one else sees it. Eventually I hope I will no longer consider these marks a burdensome, ugly thing to carry; that they will simply be there, and I will no longer care.

Tattoos, in my life, have served as expression, reminders, declarations, and challenges to myself. When I think of them, all of which I have chosen very carefully, I see my body as a canvas. I’m trying to focus more on that, and less on the rest.

“Tugging at the darkness, word upon word…”

“I am beautiful/ Molding my own world/ The old me is behind/ I will march ahead anew.”